Writing Painting

Nicoletta Salomon (born in Belluno, Italy, 1967)

Current Position: Full Professor of Fine Arts and Creative Writing at The American University of Florence, Italy.

Abbreviated CV

Education, Academic Research, Writing, Painting, Teaching Experience

In 1991, I graduated in Classics both at the Scuola Normale Superiore di Pisa and at the University of Pisa, Italy (maximum grade cum laude).

In 1995, I obtained my PhD in Classics at the Scuola Normale Superiore di Pisa (maximum grade cum laude).

In 1998, I won a two-year post-doctoral fellowship in Classics at the Scuola Normale Superiore di Pisa.

From 1995 onwards, I was granted various research fellowships by the Scuola Normale Superiore di Pisa, the University of Pisa, the University of Venice, the Italian National Research Council, the École Normale Supérieure in Paris, the Fondation Hardt in Geneva, the University of Tübingen, and Princeton University.

During my years of academic education and research, I made the pivotal choice of resuming pursuing my strong interest in painting through independent study, studying with established painters in Tübingen and in Florence, museum visits, and a consistent practice, to deepen my early knowledge acquired by observing my father at the easel for all my childhood. This led to my first solo exhibition in Florence, at La Corte Arte Contemporanea Gallery (2005), followed by regular solo, dual, and group shows. I consider my painted body of work as a visual journal revealing the way I am inhabited by an inner landscape where feelings, emotions, thoughts, and memories nurture an ever-changing relationship made visible through colors, their material, psychological, and therapeutic qualities.

Since 2012, my work has been represented by Immaginaria Arti Visive Gallery, Florence. My artworks have been exhibited in European art fairs and are in various private collections. “Inner Cosmos”, a permanent collection of my paintings, is showcased at The American University of Florence.

Very soon, my dedication to painting impacted my academic research interests, which shifted to Aesthetics, questioning the meaning of art and creativity in ancient Greek thought. My book La zattera di mimesis: i greci, la creazione, l’arte, Venice, Marsilio, 2001 has been the recipient of the Castiglioncello – Costa degli Etruschi philosophy award 2002, the Orient-Express special jury award 2002, and the S. Valitutti special jury award 2002. In 2002-2004, I was granted a research/teaching fellowship in Aesthetics at the University of Florence.

My commitment to art and Aesthetics also impacted my writing interests. Besides academic writing, I practiced narrative non-fiction: my book on the destiny of Venice, Venezia inabissata: un fantasaggio, Milan, Mimesis, 2004, has been translated into French: Venise engloutie. Essai subjectif sur l’âme de Venise, Paris, Fayard, Mille et une Nuits, 2008. My fiction writing falls in the literary memoir genre, focusing on the language in which women’s intimate and social struggles for identity and individuality are narrated, as exemplified by my novel Non chiedermi niente, Cagliari, Aìsara, 2012. Four of my unpublished novels on the same themes have been shortlisted/longlisted at the Italo Calvino Literary Prize: Questa non è una storia d’amore (2005); Tredici anni (2019); Royal (2023); Primo anno (2024).

An opportunity to significantly improve the dialogue between artistic activity and philosophical reflection came with teaching in International Education in 2013. I have since designed and taught university-level courses in fine arts, creative processes for the arts, art therapy, and creative writing at the Florence University of the Arts – The American University of Florence, where I work as a full professor. My current academic research focuses on the nature, expressive qualities, and symbolic values of mark-making in writing and painting.

A series of my illustrations has been published in the book Nel giardino segreto: meditazioni creative attorno alla nascita, written by V. Schmid, illustrated with 20 of my mixed media works on paper, Florence, TerraNuova, 2025.

I am a professional translator from English, French, German, Latin, and Ancient Greek. I am fluent in English and French, and I have a good knowledge of German. I teach and write in English and Italian. Ballet is my hobby.

Solo Exhibitions

•2005: Florence, La Corte Arte Contemporanea Gallery, “Amor sacro”. Catalogue by Nicola Nuti

•2006: Belluno, Galleria De Luca, “Amor sacro”. Catalogue by Davide Gasparotto

•2006: Florence, Grand Hotel Minerva, “Artour-o”, with Artesì, Art over Art Gallery

•2009: Florence, FUA–AUF, “Writing in Painting.” Catalogue by Nicola Nuti

•2009: Florence, Lo Spirito della Rive Gauche, "Il percorso della forma. Dipinti”

•2009: Belluno, Colophonarte, “Scrittura, scritture”, curated by Egidio Fiorin

•2011: Belluno, Palazzo Crepadona – Cubo di Botta, “Nel colore. Opere 2010-2011”

•2011: Florence, Etoile Toy Visual Arts – Florence Dance Center, "Respiro. Opere 2011”

•2012: Florence, Immaginaria Arti Visive Gallery, “Trasformare”. Catalogue by Sonia Zampini

•2013: Florence, Teatro Verdi, "Per la danza”, with Scuola di danza Hamlyn

•2014: Florence, Frediano al numero 8, "Per Pratolini”, concept by E. Mascherini

•2014: Florence, FUA–AUF, "Inner Cosmos”

•2016: Florence, Immaginaria Arti Visive Gallery, “Abisso”

•2018: Pontremoli, Atelier-Laboratorio E. Donadel, Palazzo Dosi-Magnavacca, “Opere”

•2020: Pontremoli, Galleria Spazio4arte, “Opere”

•2021: Pontremoli, nõgallery, “Opere”

•2021: Florence, FUA–AUF, “Almost Nothing”

•2024: Florence, Cartavetra Gallery, “Sospensione” (dual show with Mitsuko Hoshino). Catalogue by Brunella Baldi and Pietro Desirò

•2024: Florence, FUA–AUF, “Epoché”

Group Exhibitions

•2005: Castelnuovo Val di Cecina (Pisa), Ex Cinema Tirreno, “Voci da Marte”. Catalogue by Sibilla Ferrara

•2005: Florence, Galleria La Corte Arte Contemporanea, “Per Soccorso Clown”

•2006: Florence, Artesì, “Art over Art”

•2006: Pietrasanta, “La Marguttiana”

•2009: Florence, Saschall, “Progetto Polioplus”, Rotary International

•2009: Florence, Sam–Spazio Arte e Mestieri, “IoAbito”, curated by Cristina degl'Innocenti

•2009: Florence, Immaginaria Arti Visive Gallery, “Spazi e linguaggi”

•2011: Florence, Immaginaria Arti Visive Gallery, “Viaggio al termine della forma”

•2011: Florence, Florence Design Week

•2012: Fiesole, Studio QUADRO 0.96, "110 pittori per i 110 anni di Cesare Zavattini”, curated by Paolo di Bella and Aldo Frangioni

•2014: Florence, Florence Dance Center, “Passaggio”

•2017: Pordenone, Galleria Sagittaria, ”L'arte di scrivere d'arte, 2007-2017: un progetto in forma di dialogo”, curated by Fulvio Dell'Agnese.

•2018: Florence-Pisa-Pontedera-Carrara-Pontremoli, ”Libro d'Artista Toscana Tour 2018”

•2019: Pontremoli, Spazio4arte, site specific urban installation

•2021: Florence, Immaginaria Arti Visive Gallery, “Pagine Volanti”

•2021: Florence, Immaginaria Arti Visive Gallery, “Dante in figura: 53 contemporary artists”

•2022: Pontremoli, Villa La Cartiera, “Oscillazioni”, curated by Gianni Neri

International Art Fairs

•2012: Scope Basel 2012 (Immaginaria Arti Visive Gallery)

•2012: Art Gent – Flanders Expo Gent (Immaginaria Arti Visive Gallery)

•2013: Art Karlsruhe (Immaginaria Arti Visive Gallery)

•2017: Art Karlsruhe (Immaginaria Arti Visive Gallery)

•2017-2019: Art Vilnius, 8-11/6-2017 (Immaginaria Arti Visive Gallery)
Publications of the Painted Work

•Catalogue of the Painted Work, 2008-2012, curated by Sonia Zampini, Immaginaria Arti Visive Gallery, Florence, 2012.

•Nuovo Corriere di Firenze, "Asilo politico”, 1 dicembre 2011, Gallery on paper.

•“Blending”, 3/2, Fall 2013, N. Salomon, “Desire for Colors”, (3 paintings and a narrative text), p. 16.

•"Blending", 4/8, Fall 2014, “Inner Cosmos: A Permanent Art Collection for FUA”, pp. 1-2 <http://issuu.com/fuaflorence/docs/blending_f14__2>

•”Blending," 5/7, Fall 2015, pp. 11-12 <https://issuu.com/fuaflorence/docs/5.7_blendingnewsletter>.
•"L'arte di scrivere d'arte, 2007-2017: un progetto in forma di dialogo”, Galleria Sagittaria, 20/5-17/9-2017, curated by Fulvio Dell’Agnese, pp. 40-41. 

•"Libro d'Artista Toscana Tour 2018”, pp. 86-87. 

• “Blending”, 11/1, Spring 2021, “Art in the time of the coronavirus. An interview with Nicoletta Salomon” <https://issuu.com/fuaflorence/docs/bm_11.1>

• Catalogue “Almost Nothing”, 2021,  <https://corridoiofiorentino.it/almost-nothing-by-nicoletta-salomon/?lang=it>

• Catalogue “Sospensione”, 2024, Cartavetra Gallery, Florence

• Catalogue “Epoché”, 2024, FUA–AUF, https://corridoiofiorentino.it/nicoletta-salomon/

––––––––––––—————

Full CV

Education, Research, Teaching Experience, Published books and articles, Exhibitions

Education

•1986: High School Degree: maximum score, Liceo Classico “Tiziano,” Belluno.

•1986: Winner of the National competition, Scuola Normale Superiore di Pisa.

•1991: Graduated in Classics both at the Scuola Normale Superiore di Pisa and at the University of Pisa: maximum grade cum laude.

•1991: Winner of the PhD National competition, Scuola Normale Superiore di Pisa.

•1995: PhD in Greek History, Scuola Normale Superiore di Pisa: maximum grade cum laude.

•1995: Winner of a 1-year Giorgio Pasquali Fellowship in Greek History and Philology, Scuola Normale Superiore di Pisa.

•1998-1999: Winner of a 2-year Post-doctoral Fellowship in Classics, Scuola Normale Superiore di Pisa.

•2000: Research Fellowship, University of Pisa.

•2000: Research Fellowship, University of Venice.

•2001: Research Fellowship, Scuola Normale Superiore di Pisa.

•2001: Research Fellowship, Italian National Research Council.

•2001: Assistant to the Aesthetic Professors, the Florence State University.

Research in Foreign Universities

•1991: Research Fellowship, Fondation Hardt, Geneva.

•1992: Research Fellowship, École Normale Supérieure, Paris.

•1993: Research Fellowship, Princeton University – The Graduate School.

•1993: Semester of free research in Leiden and Amsterdam.

•1994-1995: Research Fellowship, Tübingen University; Research Fellowship, The Embassy of The Netherlands.

•1996-1997: 2 Research Fellowships, Tübingen University.

Teaching Experience

•2002-2004: Research and teaching fellowship in Aesthetics, University of Florence.

•2005 Summer Semester: Renaissance Art instructor, Michigan State University in Florence. 

•2006 Summer Semester: Art History instructor, FUA–AUF. 

•2013-2018: Adjunct Professor of Creative Writing, Fine Arts, Creative Processes for the Arts, FUA–AUF, Florence.

•2019 –: Full Professor of Creative Writing, Fine Arts, Creative Processes for the Arts, FUA–AUF, Florence.

Lectures and Conferences

•14 March 1996: University of Venice, Dpt. of Classics, “L’impero di Atene” [The Athenian Empire].

•20 October 1997: University of Pisa, Dpt. of Foreign Languages, “Nascita di idoli nel mondo antico” [The life of Idols in the Ancient World].

•23 January 1998: University of Pisa, Dpt. of Foreign Languages: “L’artista ‘mago’ nel mondo antico” [The Magic of the Ancient Artist].

•30 November 2000: Conference “Lo sperimentalismo nella storia del teatro occidentale”, Pisa, 30/11-2/12/2000: “Nietzsche: il gioco del tragico” [Nietzsche Playing Tragic].

•20 March 2002: University of Turin: “Platone: Eros e filosofia” [Eros and Philosophy in Plato].

•8 April 2002: Liceo Classico Machiavelli, Florence: “Origini di filosofia e tragedia” [Origins of Philosophy and Tragedy].

•30 May 2002, Syracuse, Italy, literary event: “Norma e forma” [Norm and Form].

•20 November 2002: University of Turin: “Eros di linea e colore: Matisse” [Matisse’s Line and Color].

•18 September 2010: “Pordenonelegge” Literary Festival, conference “L’arte di scrivere d’arte”: “Gli artisti sanno quello che fanno? Fare arte, pensare l’arte” [Do Artists Know What They Are Doing? Doing Art, Speculating on Art].

•8 March 2011: Belluno, City Hall: “Generare e creare” [Generating and Creating].

•21 October 2015: Palazzo Strozzi, Florence, on the occasion of the exhibition "Divina Bellezza: tra Van Gogh, Chagall e Fontana”, a special project for Universities and Academies, “Holy! Holy! Holy!”: “In interiore homine,” a lecture on my artistic path and art process in connection with the Sacred.

•4 December 2015: Annual FUA–AUF Conference “De Re Mediterranea”: “Dreaming of a City on the Water: Venice-Atlantis?”

•3 December 2016: Annual FUA–AUF Conference “The Force of the Words: Oriana Fallaci, Florentine, Journalist, Citizen of the World”: “A Novel I Call my Baby”.

•14 April 2018: “Florence Writers Publishing Day,” Florence, moderator of the “Submission” panel (J. Kleinmann, B. Kamlani, L. Lamont, C. Gebler).

•17 May 2019: Lee University in Florence, “Rhetoric, and Truth: Heritages of Greece and Rome”.

•6 December 2019: Annual FUA–AUF Conference “Consumption, Gentrification, and the New Colonialism”: “The Scent of Travel Time”.

•1-2 December 2023: Conference Coordinator of the annual AUF Conference “Gardens of Culture: Italo Calvino’s Memos for the New Millennium.

•5 December 2025: Annual AUF Conference “The Renaissance of Material Media in Photography, Film, and Beyond”: “Logical Thinking, Critical Thinking, Generative Thinking, and Longhand Note-Taking on Paper”.
Publishing

•2001: prototype for a Lexicon of the Ancient World, Le Monnier, Florence.

•2000: contributor to G. Devoto – G.C. Oli, Dizionario della lingua italiana, Le Monnier, Florence.

•2000: G. B. Conte – E. Pianezzola – G. Ranucci, Dizionario della lingua latina, Le Monnier, Florence.

•2002: contribution to P. Parrini – S. Parrini Ciolli, Dimensioni della filosofia, vol. I, Il mondo antico, Mondadori, Milan.

•2005: book chapters in M. Sacchetto, F. Desideri, A. Petterlini, L’esperienza del pensiero. La filosofia: storia, temi, abilità, Loescher, Turin.

•2006: Entries Barocco, Coomaraswamy, Divisionismo, Espressionismo, Fondazione Centro Studi Filosofici di Gallarate, Enciclopedia Filosofica, ed. by V. Melchiorre, Bompiani, Milan.

•2002-2011: member of the Executive Committee of  “Iride. Filosofia e discussione pubblica.”

•2003-2005: contributor to the Database Indire, sections of Aesthetics and Classics.

•2009-2011: copy editor of “Iris. European Journal of Philosophy and Public Debate.”

•2015-: academic advisor for “Blending,” FUA–AUF campus magazine and newsletter.

•2017: editor for J. Chaffee, Florence in Ecstasy, Unnamed Press.

Publications

A) Books

•Le cleruchie di Atene: caratteri e funzione, ETS, Pisa 1997 [essay reviewed by Philippe Gauthier, “Bullétin Epigraphique,” REG 111, 1998, pp. 595-596 (nr. 146); J. Roy, “The Classical Review,” 49,1, 1999, pp. 153-154; P. Payen, “Revue de Philologie de littérature et d’histoire anciennes,” 71,2, 1997, pp. 344-346; W. Schuller, “Historische Zeitschrift,” 271/3, 2000; R.S. Stroud, The Athenian Grain-tax law of 374/3 B.C., The American School of Classical Studies at Athens, Princeton 1998 (passim)].

•La zattera di mimesis: i greci, la creazione, l’arte, Marsilio, Venice 2001: narrative essay winner of the Castiglioncello – Costa degli Etruschi Philosophy Award 2002; International Literary Award Orient-Express, Rome 2002 (Special Jury Award);  International Award for Non-fiction S. Valitutti, Salerno 2002 (Special Jury Award). 

•Venezia inabissata. Un fantasaggio, Mimesis, Milan 2004.

•Questa non è una storia d’amore, novel, shortlisted Calvino Prize 2005 (unpublished).

•Storie di latte. Quadri di una maternità, D&D, Florence 2007.

•Venise engloutie. Essai subjectif sur l’âme de Venise, Fayard, Mille et une nuits, Paris 2008 (reviewed and augmented edition, trans. M. Raiola).

•Non chiedermi niente, Aisara, Cagliari, 2012.

•Tredici anni, long-listed Calvino Prize 2019 (unpublished).

• Royal, long-listed Calvino Prize 2023 (unpublished).

• Primo anno, long-listed Calvino Prize 2024 (unpublished).

• Nel giardino Segreto: meditazioni creative attorno alla nascita, by V. Schmid, illustrations by Nicoletta Salomon, Florence, Terra Nuova, 2025.

B) Articles and Book Chapters

•Milziade, Atene e la conquista di Lemno, in Historie, Studi offerti dagli allievi a Giuseppe Nenci per il suo settantesimo compleanno, ed. by S. Alessandrì, Congedo, Lecce, 1994, 399-408.

•Milziade IV e il Chersoneso fra tirannide e democrazia “Atti dell'Accademia delle Scienze di Torino, Atti Sc. Mor.,” CXXX, 1996, 155-178.

•Cleruchie e trierarchie: nota a Demostene, Peri ton symmorion, 16, “Annali della Scuola Normale Superiore di Pisa,” s. III, XXV, 1995, 243-247.

•Per lo studio delle cleruchie ateniesi. Considerazioni di metodo alla luce di un libro recente, Opus, XII-XIII, 1993-94.

•Atene e i Greci d'Asia nel Panegirico di Isocrate, “Annali della Scuola Normale Superiore di Pisa,” s. IV, I, 1996, 41-60.

•Lo storico e l’espansione di Atene nel IV secolo: osservazioni sul libro di Jack Cargill, Athenian Settlements of the Fourth Century B.C., Leiden-New York-Köln, E.J. Brill, 1995, Opus, n.s., I, 1998.

•Tucidide, in Introduzione alla storiografia greca, ed. by di M. Bettalli, Carocci, Roma 2001, 69-92.

•Il tragico e l’esserci. Nietzsche, “aut aut,” 307-308, 2002, 133-154.

•Nietzsche. Il gioco del tragico, in L’officina del teatro europeo, Atti del convegno Lo sperimentalismo nella storia del teatro occidentale, ed. by A. Grilli and A .Simon, Pisa 30 novembre - 2 dicembre 2000, Edizioni Plus - Università di Pisa 2002, vol. I, Performance e teatro di parola, 457-464.

•Acqua e psiche. Chateaubriand a Venezia, L’instinct voyageur. Creazione dell’io e scrittura del mondo in Chateaubriand, ed. by F. Martellucci, Unipress, Padova 2001, 155-168.

•La realizzazione di sé. Etty Hillesum, “Klaros,” 15, 2002, 52-79.

•Phobos. Radici antiche della paura, “Atque,” 23-24, 2002, 43-57.

•Percorrere la notte. Mulholland Drive di David Lynch, “Iride,” 37, 2002, 634-638.

•Norma e forma, “Estetica,” 2, 2003, 113-126.

•Erotica Elenctica Ironica. Amore platonico, in Lo sguardo di Eros, ed. by M. Vozza Mimesis, Milan 2003, 23-37.

•Intelligenza tragica, in Ermeneutica e pensiero tragico. Studi in onore di Sergio Givone, ed. by C. Ciancio et al., Il Melangolo, Genoa 2004, 123-141.

•Venezia al di là del mito, in “Nuova informazione bibliografica,” 4, 2004, 789-804.

•Il cane e il sacro. Su Vergogna di J.M. Coetzee, “Iride,” 59, 2010, 173-176.

•The Mirror of Power (discussion with M. Pezzella on Vincere by M. Bellocchio) “Iris,” 2,3, 2010, 222-227.

•Il corpo della politica, “Iride,” 59, 2010, 125-137.

•Il cane e il sacro (discussion with G. Origgi on Vergogna by J.M. Coetzee), Ibid., 173-176.

•Lo specchio del potere (discussion with M. Pezzella on Vincere by M. Bellocchio), Ibid., 675-678.

•Les artistes savent-ils ce qu’ils font?, in Merleau-Ponty entre philosophie et art, ed. by L. Vinciguerra and F. Bourlez, Reims, Presses Universitaires de Reims, 2011, 45-53.

•De-individuazione (discussion with L. Vinciguerra on Io sono l’amore by L. Guadagnino and L'amante inglese by C. Corsini), “Iride,” 62, 2011, 183-185.

•Scrivere, vivere, reinventare: dove scavano le radici di un romanzo, guest post of "Scrittore Computazionale", Arturo Robertazzi’s blog, 10.12.2012:<http://www.arturorobertazzi.it/2012/12/10/scrivere-vivere-reinventare-dove-scavano-le-radici-di-un-romanzo-guest-post-di-nicoletta-salomon/>.

•"Speculating While Making Art,” “Blending Magazine,” F/W 2014/15, 22-25. 

C) Book Reviews

•Michel Foucault, Discorso e verità nella Grecia antica, Donzelli, Rome 1996, Opus, n.s., I, 1998.

•María Zambrano, L’uomo e il divino, ed. by V. Vitiello, Edizioni Lavoro, Rome 2001, “Iride,” 38, 2003, 215-216.

•María Zambrano, Luoghi della pittura, Medusa, Milan 2002, “Estetica,” 3, 2003.

•Mario Vegetti, Quindici lezioni su Platone, “Iride," 2004, 229-230.

•Edith Stein, Vie della conoscenza di Dio. La “teologia simbolica” dell’Areopagita e i suoi presupposti nella realtà, with an essay by R. De Monticelli, Dehoniane, Bologna 2003, “Theoria,” 2005.

D) Translations

from English:

•G.W. Most, Memoria e oblio nell’Eneide, in VV. AA., Memoria e identità. La cultura romana costruisce se stessa, ed. by M. Citroni, Florence 2001.

•G.W. Most, Heidegger’s Greeks, I Greci di Heidegger, “Belfagor,” LVII, 2, marzo 2002, 129-140.

•R. Bodei, La presunzione dell’Occidente: non esiste una civiltà superiore, «La Repubblica», 30 May 2009, p. 47.

•M.P. Lara, Political Imagination ad Feminism, “Iride,” 59, 2010, pp. 87-98.

•R. Fry, Cézanne, Ananke, Turin 2009 (translated and edited, with introduction Due pittori, pp. 7-20).

from French:

•C. Orrieux – P. Schmitt Pantel, Storia greca, il Mulino, Bologna 2003, pp. 1-573.

•P. Ricoeur, Ricordare, dimenticare, perdonare, introduction by R. Bodei, il Mulino, Bologna 2004.

•G. Therborn, Le società d'Europa nel nuovo millennio, il Mulino, Bologna 2011 (texts from French and English).

from German:

•Hermann Hesse, Glück, hrsg. V. Michels, Frankfurt a. M. 2000, La felicità, Mondadori, Milan 2002.

Art Exhibitions

I am a featured artist at the Immaginaria Arti Visive Gallery, Florence. My paintings are in various private collections. A permanent collection of my paintings, “Inner Cosmos” is showcased at FUA–AUF, Florence.

Solo Exhibitions

•2005: Florence, La Corte Arte Contemporanea Gallery, “Amor sacro”. Catalogue by Nicola Nuti

•2006: Belluno, Galleria De Luca, “Amor sacro”. Catalogue by Davide Gasparotto

•2006: Florence, Grand Hotel Minerva, “Artour-o”, with Artesì, Art over Art Gallery

•2009: Florence, FUA–AUF, “Writing in Painting”. Catalogue by Nicola Nuti

•2009: Florence, Lo Spirito della Rive Gauche, "Il percorso della forma. Dipinti”

•2009: Belluno, Colophonarte, “Scrittura, scritture”, curated by Egidio Fiorin

•2011: Belluno, Palazzo Crepadona – Cubo di Botta, “Nel colore. Opere 2010-2011”

•2011: Florence, Etoile Toy Visual Arts – Florence Dance Center, "Respiro. Opere 2011”

•2012: Florence, Immaginaria Arti Visive Gallery, “Trasformare”. Catalogue by Sonia Zampini

•2013: Florence, Teatro Verdi, "Per la danza”, with Scuola di danza Hamlyn

•2014: Florence, Frediano al numero 8, "Per Pratolini”, concept by E. Mascherini

•2014: Florence, FUA–AUF, "Inner Cosmos”

•2016: Florence, Immaginaria Arti Visive Gallery, “Abisso”

•2018: Pontremoli, Atelier-Laboratorio E. Donadel, Palazzo Dosi-Magnavacca, “Opere”

•2020: Pontremoli, Galleria Spazio4arte, “Opere”

•2021: Pontremoli, nõgallery, “Opere”

•2021: Florence, FUA–AUF, via Ricasoli 21, “Almost Nothing”

•2024: Florence, Cartavetra Gallery, “Sospensione” (dual show with Mitsuko Hoshino)

•2024: Florence, FUA–AUF, “Epoché”

Group Exhibitions

•2005: Castelnuovo Val di Cecina (Pisa), Ex Cinema Tirreno, “Voci da Marte”. Catalogue by Sibilla Ferrara

•2005: Florence, Galleria La Corte Arte Contemporanea, “Per Soccorso Clown”

•2006: Florence, Artesì, “Art over Art”

•2006: Pietrasanta, “La Marguttiana”

•2009: Florence, Saschall, “Progetto Polioplus”, Rotary International

•2009: Florence, Sam – Spazio Arte e Mestieri, “IoAbito”, curated by Cristina degl'Innocenti

•2009: Florence, Immaginaria Arti Visive Gallery, “Spazi e linguaggi”

•2011: Florence, Immaginaria Arti Visive Gallery, “Viaggio al termine della forma”

•2011: Florence, Florence Design Week

•2012: Fiesole, Studio QUADRO 0.96, "110 pittori per i 110 anni di Cesare Zavattini”, curated by Paolo di Bella and Aldo Frangioni

•2014: Florence, Florence Dance Center, “Passaggio”

•2017: Pordenone, Galleria Sagittaria, “L'arte di scrivere d'arte, 2007-2017: un progetto in forma di dialogo”, curated by Fulvio Dell'Agnese.

•2018: Florence-Pisa-Pontedera-Carrara-Pontremoli, ”Libro d'Artista Toscana Tour 2018”

•2019: Pontremoli, Spazio4arte, site specific urban installation

•2021: Florence, Immaginaria Arti Visive Gallery, “Pagine Volanti”

•2021: Florence, Immaginaria Arti Visive Gallery, “Dante in figura: 53 contemporary artists”

•2022: Pontremoli, Villa La Cartiera, “Oscillazioni”, curated by Gianni Neri

International Art Fairs

•2012: Scope Basel 2012 (Immaginaria Arti Visive Gallery)

•2012: Art Gent – Flanders Expo Gent (Immaginaria Arti Visive Gallery)

•2013: Art Karlsruhe (Immaginaria Arti Visive Gallery)

•2017: Art Karlsruhe (Immaginaria Arti Visive Gallery)

•2017-2019: Art Vilnius, 8-11/6-2017 (Immaginaria Arti Visive Gallery)

Publications of the Painted Work

•Catalogue of the Painted Work, 2008-2012, curated by Sonia Zampini, Immaginaria Arti Visive Gallery, Florence, 2012.

•Nuovo Corriere di Firenze, "Asilo politico”, 1 dicembre 2011, Gallery on paper.

•“Blending”, 3/2, Fall 2013, N. Salomon, “Desire for Colors”, (3 paintings and a narrative text), p. 16.

•"Blending", 4/8, Fall 2014, “Inner Cosmos: A Permanent Art Collection for FUA,” pp. 1-2 <http://issuu.com/fuaflorence/docs/blending_f14__2>

•”Blending," 5/7, Fall 2015, pp. 11-12 <https://issuu.com/fuaflorence/docs/5.7_blendingnewsletter>.
•"L'arte di scrivere d'arte, 2007-2017: un progetto in forma di dialogo”, Galleria Sagittaria, 20/5-17/9-2017, curated by Fulvio Dell’Agnese, pp. 40-41. 

•"Libro d'Artista Toscana Tour 2018”, pp. 86-87. 

• “Blending”, 11/1, Spring 2021, “Art in the time of the coronavirus. An interview with Nicoletta Salomon” <https://issuu.com/fuaflorence/docs/bm_11.1>

• Catalogue “Almost Nothing”, 2021,  <https://corridoiofiorentino.it/almost-nothing-by-nicoletta-salomon/?lang=it>

• Catalogue “Sospensione”, 2024, Cartavetra Gallery, Florence

• Catalogue “Epoché”, 2024, FUA–AUF, https://corridoiofiorentino.it/nicoletta-salomon/